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A LION IN PARIS

The lion atop the Eiffel Tower, mane blowing in the wind, captures the essence of this artful, whimsical delight.

This oversized book about a bored young lion who visits Paris to find “a job, love and a future” is worth every bit of paper and ink.

The book opens vertically, with sparse, large-type text on each top page and complex artwork below. The sturdiness of the paper allows young hands to turn pages repeatedly and to pore over each carefully rendered illustration, a lion’s share of mixed media that includes architectural renderings of Parisian hot spots, tiny photographs of people and, on every page, the large protagonist, sporting a huge bushlike mane and a great variety of engagingly human expressions. As the lion roams Paris, he is unhappy about the lack of attention he draws, even when he roars. He hits rock bottom when a rainstorm turns him “grey and shiny like the roofs around him.” But urban apathy eventually subsides, and love comes in the form of a young girl’s adoring eyes, which follow him. (Only the youngest of viewers will lose the joke: That lover is the Mona Lisa.) The lion soon finds his job and his future, with vocabulary that refuses to condescend: A plinth in the middle of a square offers him his perfect vocation. Children will feel more sophisticated than the lion, who makes such mistakes as confusing baguettes with swords.

The lion atop the Eiffel Tower, mane blowing in the wind, captures the essence of this artful, whimsical delight. (Picture book. 3-8)

Pub Date: March 4, 2014

ISBN: 978-1-84976-171-0

Page Count: 32

Publisher: Tate/Abrams

Review Posted Online: Jan. 8, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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BEDTIME FOR BATMAN

From the DC Super Heroes series , Vol. 1

This should send Dark Knight fans flying to the Batcave—or the bedroom.

Holy bedtime, Batman!

In a sleepy-looking neighborhood under a dusky cerulean sky, a young, brown-haired, white boy goes through the motions of getting ready for bed: he brushes his teeth, takes a bath, picks up his toys, and feeds his fish. In a parallel visual narrative, beckoned by the cat's-eye–yellow bat-signal, Batman keeps Gotham safe for another night by catching crooks, locking them away, and avenging those who have been wronged. Though the two characters are quite different, through a carefully flexible narrative, Dahl and Beavers weave a convincing tale of just how similar they might be. “It’s time to take care of business” describes the child’s trip to the potty and Batman’s dive down a manhole equally well, for instance. Beavers' art is visually striking and vibrantly hued, perfect for keeping young eyes glued to each page. Dahl's economical text is cadenced with a gentle lilt, just right for a bedtime read-aloud. Young fans of the caped crusader will delight in spying their favorite characters. In the already-overstuffed bedtime-book market, this is certainly a niche read, but it hits its mark well, delivering fun without darkness. A “bedtime checklist” at the end aptly includes “story time.”

This should send Dark Knight fans flying to the Batcave—or the bedroom. (Picture book. 3-8)

Pub Date: Aug. 1, 2016

ISBN: 978-1-62370-732-3

Page Count: 32

Publisher: Capstone Young Readers

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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