Will reach both small and older readers struggling to conceal, manage, and express complicated inner worlds.
Gisele, a miraculous girl born as clear as a windowpane, must live with her every emotion plain for the whole village to see in this import, translated from French.
Flat matte artwork (a combination of paint and collage) creates Gisele’s provincial town “near the cities of Florence and Bilbao” as a jumble of narrow buildings and people while translucent vellum paper and delicate blue linework relay her fragility and transparency. With Gisele’s thoughts “on display [as if] in a shop window,” she sometimes grows despondent, even furious. Readers, like the townspeople, might stare at Gisele’s flat features, her helmet-shaped head, and her nudity. But once they accept this fable’s premise, they quickly encounter wrenching, interesting questions about emotions, communication, public opinion, and acceptance. Both sensitive young people who broadcast their feelings and those who clutch their emotional cards tightly to their chests will reel at the overwhelming notion of having one’s inner world exposed, revealed for others to dissect, criticize, or coddle. “Aren’t you ashamed to show such awful things, Gisele?” a monstrous, distorted crowd of clothed villagers sneers. Gisele’s pain, articulated by double-page spreads of her wide, pale blue face shedding a multifaceted crystal tear through powerful vellum page turns, will feel acute and familiar to adolescents.
Will reach both small and older readers struggling to conceal, manage, and express complicated inner worlds. (Picture book. 6-12)Pub Date: Nov. 12, 2019
ISBN: 978-1-59270-303-6
Page Count: 52
Publisher: Enchanted Lion Books
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Nov. 15, 2019
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
A kind child in a book for middle-grade readers? There’s no downside to that.
Beatrice Zinker is a kinder, gentler Judy Moody.
Beatrice doesn’t want to be fit in a box. Her first word was “WOW,” not “Mom.” She does her best thinking upside down and prefers to dress like a ninja. Like Judy Moody, she has patient parents and a somewhat annoying younger brother. (She also has a perfectly ordinary older sister.) Beatrice spends all summer planning a top-secret spy operation complete with secret codes and a secret language (pig Latin). But on the first day of third grade, her best friend, Lenny (short for Eleanor), shows up in a dress, with a new friend who wants to play veterinarian at recess. Beatrice, essentially a kind if somewhat quirky kid, struggles to see the upside of the situation and ends up with two friends instead of one. Line drawings on almost every spread add to the humor and make the book accessible to readers who might otherwise balk at its 160 pages. Thankfully, the rhymes in the text do not continue past the first chapter. Children will enjoy the frequent puns and Beatrice’s preference for climbing trees and hanging upside down. The story drifts dangerously close to pedantry when Beatrice asks for advice from a grandmotherly neighbor but is saved by likable characters and upside-down cake. Beatrice seems to be white; Lenny’s surname, Santos, suggests that she may be Latina; their school is a diverse one.
A kind child in a book for middle-grade readers? There’s no downside to that. (Fiction. 6-10)Pub Date: Sept. 19, 2017
ISBN: 978-1-4847-6738-2
Page Count: 160
Publisher: Disney-Hyperion
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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