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RIVER BEND CHRONICLE

THE JUNKIFICATION OF A BOYHOOD IDYLL AMID THE CURIOUS GLORY OF URBAN IOWA

A brick of a memoir that carries very little real weight.

A New York City intellectual recalls his childhood in Davenport, Iowa.

This debut memoir by widely published essayist Miller aspires to fall somewhere between John Kennedy Toole and David Sedaris, but there is little humor in this stream-of-consciousness narrative about the minutia of Midwestern life. The author attempts to lionize a supposedly tough childhood that turns out to be quite ordinary, despite Miller’s best efforts to lend pregnant pause to every mundane detail. The mere choosing of a Christmas tree inspires this passage: “The obvious connection between this emaciated pine and Charlie Brown’s unfortunate tree-lot pick was not voiced by anyone. Or, I should say, could not be voiced, lest we admit our life was a cartoon, and ridiculous as circumstances often were, always, on some level, they remained very real, too.” For the most part, we are bystanders to the panoramic film playing out behind young Miller’s eyes, as he aspires to be a writer and makes grand observations about his family and neighbors. His Writers’ Studio, a group of misfit scribblers, is given surprisingly short shrift, but much drama is inspired by the author’s three “mean sisters,” one of whom is ultimately the victim of her own tragic story. Miller also gives much play to elderly neighbors like Mr. Hickey, a cigar-puffing widower whose ephemera spills across the pages like a still life. There’s no doubt that the author has a gift for language, but the recklessness with which he wields his talent takes the spark out of the story. There is also a degree to which he attempts to demonize his now deeply estranged family—he deliberately distanced himself for years while simultaneously wallowing in his own remembrances—that makes the memoir’s primary subject come off as self-pitying and thin-skinned.

A brick of a memoir that carries very little real weight.

Pub Date: March 12, 2013

ISBN: 978-0-9849000-0-8

Page Count: 336

Publisher: Lookout Books

Review Posted Online: April 9, 2014

Kirkus Reviews Issue: Jan. 1, 2013

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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