A stand-alone fantasy that fails to engage.
The battle of the Eight is about to start, and two old enemies must face off in the final battle between good and evil, life and death.
Tristan Nightsworn and Martha von Falkenstein once were warriors, allies, and lovers who fought side by side against a common enemy in the Fifth Crusade, until betrayal tore them apart. Eight hundred years later, they once again come to life, emerging from the depths of Germany’s Black Forest. Now leaders on two different sides of a brewing war, each must co-opt allies to their side—Martha on the side of good, and Tristan on the side of doom. Eight fighters in total must be aligned to fight the final battle to decide the fate of the world. Martha’s chosen warriors are troubled teens, while Tristan is surrounded by a serial killer and a neo-Nazi, among others. But before they can fight, they must find the two fabled swords, Xanas and Aurin, the blades needed to seal the end. Originally published in Germany, this violent, dark stand-alone fantasy features a fast-paced plot with underdeveloped worldbuilding that is vaguely religious. The omniscient narration follows every character, major and minor, with a distance in tone that prevents emotional connection with the protagonists as the story hurriedly builds up to an anticlimactic, unsatisfying ending. Most characters are adults who are assumed White excepting a Black teenage girl from an immigrant family from Mali.
A stand-alone fantasy that fails to engage. (author interview) (Fantasy. 16-adult)Pub Date: March 15, 2022
ISBN: 978-1-64690-009-1
Page Count: 304
Publisher: Arctis Books
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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