by Benjamin Taylor ‧ RELEASE DATE: Oct. 27, 2015
Though brief, a densely packed and rewarding book.
A sensitive study of literature’s favorite neurasthenic.
The French Jewish novelist Marcel Proust (1871-1922), writes Taylor (Graduate Writing Program/New School; Naples Declared: A Walk Around the Bay, 2012, etc.), was sickly and of course really sick, physically and emotionally. Yet even before he locked himself into a cork-lined room and bid high society adieu, he labored endlessly, putting sickness to good use. At 15, for instance, he read endlessly. “Much of the literature that would be most important to Proust was internalized during this period of insatiable reading,” writes Taylor, a reading list that included huge and ambitious novels by Tolstoy, Balzac, Dostoyevsky, and George Eliot. Against the backdrop of essentially private activity, Taylor does good work in locating Proust among more or less privileged contemporaries, gay and straight and indifferent, and against a time that saw the emergence of a nationally tolerated anti-Semitism in events that Proust followed carefully and incorporated into his books. But for all the strength of his cultural historicizing, the author is best as a reader of Proust alone—and an observer of Proust at work writing À la recherche du temps perdu, complaining bitterly to his publisher about the agonies of editing (“The struggle to read four thousand pages of proofs,” Taylor sagely notes, “was exhausting and enraging”), and howling, “I cannot cut the book as easily as a lump of butter.” Readers of Proust will be fascinated to find clues as to who his characters were in real life, and they should be moved to appreciation by Taylor’s assessment of Proust’s accomplishment, capturing nothing less than time itself, that thing that, if it turns us into dust, “also makes us giants.” And not only that, but capturing time in “a moral accounting as comprehensive as Dante’s….”
Though brief, a densely packed and rewarding book.Pub Date: Oct. 27, 2015
ISBN: 978-0-300-16416-9
Page Count: 224
Publisher: Yale Univ.
Review Posted Online: July 29, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Susan Sontag ; edited by Benjamin Taylor
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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