by Benji Davies ; illustrated by Benji Davies ‧ RELEASE DATE: June 9, 2020
One of the cutest tadpole-to-frog stories ever. (Picture book. 4-8)
A tiny tadpole finally finds her frog legs.
Tad, depicted as an earnest yellow eye attached to a wiggly black tail, is “the smallest almost-a-frog in the whole wide pond.” She wriggles “twice as fast just to keep up” with her endearing tadsiblings, all of them bursting with expression even though they are all pretty much simple egg-shaped eyes with tails. But “she [is] strong and she [is] clever,” and she counts on these skills to keep her safe from Big Blub, a creepy greenish fish who’s reputed to feed on little tadpoles. “Tad [has] never seen Big Blub” and “decide[s] not to believe” in him, her smug smile turning anxious as she finds hiding spots, “just in case.” The tadpoles grow legs and lose their tails, and they positively thrum with youthful energy as they rejoice in their new bodies—“All except for Tad,” who stays bean-shaped and be-tailed. The number of Tad’s tadbrothers and tadsisters starts to dwindle, slowly and ominously, until she’s left all alone. The slow suspense, tapping into young children’s fear of abandonment, builds masterfully with joyous payoff in a final, vibrant spread after Tad skedaddles away from Big Blub in a riotous burst of limbs. Davies’ mostly muted palette is dominated by teal and algae green, enlivened with the tadpoles’ bright yellow, orange, blue, and purple eyes.
One of the cutest tadpole-to-frog stories ever. (Picture book. 4-8)Pub Date: June 9, 2020
ISBN: 978-0-06-256359-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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