It was only once, but she's pregnant and their plans for college are threatened. Doherty's genius, in her second Carnegie winner, is to go beyond the familiar, beyond earnest explanation, to the unique blend of heritage, character, and circumstance that shape Helen's and Chris's responses to their classic dilemma. There are no villians here, and no one—once their story is revealed—is to blame: not Helen's tense, loveless mother, scarred by being born out of wedlock in a judgmental age; not Chris's, whose motives for abandoning her family are less selfish than they've seemed. Chris, whose retrospective narrative begins the story, stands by Helen, though he's torn between his real love and his hopes for a degree in English. Helen's choices, described in interpolated letters to her unborn child (see title) are tougher: Dragged by her mother to an abortion clinic, she simply walks out; forbidden to see Chris, and realizing he isn't ready for marriage, she courageously breaks with him so that he will go to college—as she too eventually hopes to do. In Doherty's splendid White Peak Farm (1990), the stories of several family members fuse to become one; here, what begins as a portrait of a single relationship extends, finally, to a dozen compassionately realized individuals. In both, the theme is universal: troubles between loved ones arise, not from a lack of good will, but from stress and misunderstanding. More accessible to young Americans than Doherty's earlier books; wise, lyrical, and graced with rare insight and intelligence; not to be missed. (Fiction. 11+)
Pub Date: Sept. 1, 1992
ISBN: 0-531-05461-6
Page Count: 192
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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