A remarkable education in the grief of staying alive.
Hewn out of the brutality of Watership Down and the trenchant ironies of Animal Farm, this is an animal story for adults.
A fable that makes Aesop’s darkest seem saccharine, Italian author Zannoni’s debut novel concerns Archy, a beech marten (a weasel-like animal) inhabiting a stretch of forest with his small family. With a dead father, a harsh, unfeeling mother, and siblings barely able to make their way through the brush, young Archy can only envision a Hobbesian future for himself: nasty, brutish, and short. When his mother sells him as a slave to the mysterious Solomon, a fox who has set himself up as the woodland’s only trader-lender (with the help of his bodyguard/enforcer, a dog called Joel), Archy finds himself receiving many beatings for his clumsy mistakes as well as an odd, intriguing education at Solomon’s hands. Gradually, the marten meets other denizens of the forest and discovers life to be nothing less than drenched in the red of tooth and claw. Growing into a stumbling adulthood, Archy wills himself to learn at Solomon’s feet, to open himself up to the fox’s abusive instruction, which stems from a strange human book, the Bible, which the old trader found years earlier while feeding on the body of a hanged man. In time, Archy yearns to live on a higher, less degraded plane and turns to his painfully acquired writing talents to make sense of the carnage around him. The character of Archy, in all his awkward, vulnerable marten-ness, emerges as courageously as any classical hero. Finding happiness in the arms of a beloved only to have her ripped away, finding stability in the trading post after the death of his master only to be driven from it by interlopers, he is a noble, tormented protagonist striving amid a beastly contingent of the selfish, stupid, and evil. This darkly beguiling novel casts its enchantments with an eye trained on the human heart, with its false chambers and rough, bestial inclinations.
A remarkable education in the grief of staying alive.Pub Date: June 13, 2023
ISBN: 9781681377285
Page Count: 224
Publisher: New York Review Books
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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