by Bettina Stangneth translated by Ruth Martin ‧ RELEASE DATE: Sept. 8, 2014
A rigorously documented, essential work not only about Eichmann’s masterly masquerade, but also about how we come to accept...
A riveting reconstruction of a fanatical National Socialist’s obdurate journey in exile and appalling second career in Argentina.
Delving into a body of interviews Adolf Eichmann (1906-1962) made with pro-Nazi Dutch war propagandist Willem Sassen in Argentina in the late 1950s, German historian Stangneth reveals the chilling mindset of the unrepentant Nazi, later carefully disguised at his trial in Israel. Eichmann’s Argentine writings and interviews were not available to Hannah Arendt when she wrote her brilliant Eichmann in Jerusalem (1963). In it, she portrays the wretched former SS colonel on trial for his life in 1961 as “just a small cog in Adolf Hitler’s extermination machine” (his self-description), with none of the terrifying look of evil that an efficient engineer of the Final Solution should have displayed. Stangneth meticulously reveals how Eichmann was able to fool everyone, employing a cunning mixture of self-aggrandizement and opportunism, even during his early SS career in Austria when he was put in charge of Jewish affairs and was known as the “Czar of the Jews.” Eichmann was proud of being a man of importance, and at the end of the war, he reluctantly had to disguise himself among other displaced persons, eluding Allied capture and living for several years incognito in northern Germany as a chicken farmer. Successfully floating rumors that he had taken up with the Palestinian mufti, he threw Nazi hunters off his trail, and he was able to flee to Argentina effortlessly and with the aid of a ferocious coterie of exiled Nazis comfortably ensconced there. Stangneth masterfully sifts through the information from these lively social gatherings conducted at journalist Sassen’s home three years before Eichmann’s kidnapping by Israeli agents.
A rigorously documented, essential work not only about Eichmann’s masterly masquerade, but also about how we come to accept appearances as truth.Pub Date: Sept. 8, 2014
ISBN: 978-0-307-95967-6
Page Count: 608
Publisher: Knopf
Review Posted Online: June 10, 2014
Kirkus Reviews Issue: July 1, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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