by Bhagavan "Doc" Antle ; Thea Feldman ; photographed by Barry Bland ‧ RELEASE DATE: Nov. 5, 2013
Unusual-friendship tales are not uncommon, but two unexpected, yet endearing, animals hugging will never fail to charm.
A chimpanzee cuddles two baby tigers and watches over them as they grow.
Mitra and Shiva are twin brother white tigers. When they were only 3 days old, a big storm separated them from their mother. China, an animal worker at The Institute for Greatly Endangered and Rare Species began taking care of them. She had a special assistant: Anjana the chimp, who also grew up at the animal preserve. After watching China carefully, Anjana steps in and learns how to feed the cubs bottles of warm milk. Anjana also plays with Mitra and Shiva, giving them affection and comfort. When they are scared, she puts her arms around them and says, “Boop, boop, boop”—which apparently means, “I am here with you. You are okay.” Following the same clean photo-album layout as Suryia & Roscoe (2011) (Suryia makes an appearance with Mitra and Shiva too), with simple sentence structure, this is engaging nonfiction for the youngest set. An author’s note explains how the animal-preserve setting fostered this relationship. Since she feels so safe and secure, Anjana is able to overcome her natural fear of predatory animals.
Unusual-friendship tales are not uncommon, but two unexpected, yet endearing, animals hugging will never fail to charm. (Informational picture book. 4-8)Pub Date: Nov. 5, 2013
ISBN: 978-0-8050-9319-3
Page Count: 32
Publisher: Henry Holt
Review Posted Online: Sept. 24, 2013
Kirkus Reviews Issue: Oct. 15, 2013
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by Bhagavan "Doc" Antle & Thea Feldman & photographed by Barry Bland
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by Bhagavan "Doc" Antle & Thea Feldman & photographed by Barry Bland
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Cam Kendell
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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