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BILL GRAHAM PRESENTS

MY LIFE INSIDE ROCK AND OUT

Fascinating story of the rock impresario, who led many lives to the fullest. Graham (1931-91), raised in a Berlin orphanage, was sent to the US at age 11, fleeing the pogrom. After serving in Korea, he was an actor; Latin dancer; motorcycle vagabond in Europe; and waiter at the Concord resort hotel—where he undertook his first entrepreneurial project, running an undercover crap game for the guests. Moving to San Francisco, he helped organize the first Trips Festival, with the Merry Pranksters, Big Brother, and the Warlocks (later the Grateful Dead). Graham, who knew only Latin music, opened the Fillmore auditorium and booked acts by asking bands, ``Who is your favorite musician?'' He soon became a favorite among musicians as an honest promoter who paid generously and treated them royally. Greenfield (The Spiritual Supermarket, 1975, etc.), who has constructed his book entirely through first-person voices, puts its heart in the 60's and in the Fillmores East and West. Graham, Owsley Stanley (infamous LSD chemist), Jerry Garcia, other musicians, and Graham's longtime employees here relate what's perhaps the most engrossing collection of anecdotes ever assembled about the era. Especially wonderful are Graham's descriptions of Ike Turner with his pearl- handled revolver clearing the way through a riot for an ermine- clad Tina; of how, for four years, the Grateful Dead tried every devious way they could think of to get Graham high on acid (and finally succeeded); and of Otis Redding in his first performance before the Flower Children. Graham went on to manage tours for such groups as the Rolling Stones and Bob Dylan and to organize Live Aid and other world benefits. He died in a helicopter crash at age 60. Tremendous fun for rock fans and an affecting portrait of an extraordinary man. (Fifty b&w photographs—not seen.)

Pub Date: Oct. 25, 1992

ISBN: 0-385-24077-5

Page Count: 576

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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