BILL THE FISH

Name: BILL THE FISH
Author: Brett Curzon

by Brett Curzon & illustrated by Brett Curzon & developed by Interact Media ‧ RELEASE DATE: Feb. 3, 2012

Despite its good intentions, readers may find Bill’s message of individuality and acceptance lost in the catalogue of...

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An interactive and funky text transmits the message that it’s OK to just be yourself.

Eager to prove he’s not just another fish in the sea, Bill the Fish likes to say that he is “happy being me” and begins by highlighting his quirky habits, like eating breakfast for dinner and enjoying painting with his snail friend, Fred. Bill’s habits and characteristics are then contrasted with a motley crew of his fellow sea creatures, which range from a prawn with a beard to a stylish jellyfish called Kelly. The text features an easy-to-follow narrator whose clipped British accent adds to the silliness of the short and simple rhyming text. Unfortunately for those who chose to follow along with the printed text or read to themselves, the type used presents a confusing and inconsistent mix of upper- and lower-case letters. Interactive elements include zany sound effects (some of which make sense, while others don't), animated characters that are activated by tapping and a few characters that can be “dressed — up” by dragging and dropping elements like hats and beards. Bright, colorful painted illustrations pair well with the text, but renditions of the characters vary in quality, providing a sense of inconsistency that can be distracting.

Despite its good intentions, readers may find Bill’s message of individuality and acceptance lost in the catalogue of characteristics. (iPad storybook app. 4-8)

Pub Date: Feb. 3, 2012

ISBN: N/A

Page Count: -

Publisher: Interact Media

Review Posted Online: March 19, 2012

Kirkus Reviews Issue: April 1, 2012

- BOOK REVIEW
BOATS WILL FLOAT
by Andria Warmflash Rosenbaum ; illustrated by Brett Curzon

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HANSEL AND GRETEL

by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025

Menacing and most likely to appeal to established fans of its co-creators.

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Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

Categories:

CHILDREN'S FAMILY

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OTIS

From the Otis series

by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009

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Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)