Inviting illustrations and offbeat topics showcase limericks aplenty for amusement or poetic inspiration.
Cleary presents 26 limericks (and, tantalizingly, half of a 27th) for kids.
The fun-loving poet continues his light romp through poetic forms in the third installment of the Poetry Adventures series (Ode to a Commode: Concrete Poems, 2014, etc.), this time focusing on a cornerstone of the nonsense verse world that seems made for him: the limerick. First popularized by nonsense master Edward Lear in the mid-19th century and traditionally illustrated with a silly picture, the limerick irresistibly combines the predictability and momentum of consistent meter and rhyme with the jarring surprise of an unexpected, usually humorous twist of meaning. Case in point, a particularly hilarious example from Cleary: “I once met an artist named Hank. / To put it quite bluntly, he stank. / Couldn’t paint, couldn’t sketch, / and it wasn’t a stretch / to say he could not draw a blank.” Rowland gleefully presents an artiste clad in polka-dot boxers intently painting a stick figure while his pet dog, paw over one eye, hesitantly watches. Other poems here rely more heavily on punning, as in the title piece or a ditty involving a wonderfully rendered spider named Deb, “who’s become quite a singing celeb. / When I asked how she’d grown / to be so well known, / she replied, ‘I’m all over the web!’ ”
Inviting illustrations and offbeat topics showcase limericks aplenty for amusement or poetic inspiration. (further reading) (Picture book/poetry. 6-11)Pub Date: April 1, 2015
ISBN: 978-1-4677-2044-1
Page Count: 32
Publisher: Millbrook
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: Feb. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Broad and subtle in turn—verse to stay with readers for years to come.
A tasty mix of visionary and nonsense verses, lavishly illustrated by a recent Caldecott Medalist.
Systematically gathered into seven loosely thematic groups, the poems, likewise tidy of rhyme and scansion, range from meditations on “Zero” and the many colors of the sky to silly wordplay (“What kind of pizza / do you like to eatsa?”) and a droll paean to pasta that rhymes spaghetti with yeti. The notion of flying away almost serves as a running theme; in various entries, a piñata, a child on “Jetpack Sneakers,” a breaching whale, and, for a moment, a boy waking to a sparrow’s song take off into the sky. Salati depicts a menagerie of creatures both real and imaginary that share space with a rich and racially diverse assortment of small figures who often resemble Maurice Sendak’s Nutshell Library outtakes for their large-headed, stubby-limbed looks and balletic poses. The entries are lighthearted overall; several read like nursery rhymes. Burgess displays a keen intuition for what will get kids laughing—and what will make them think. One poem, perhaps a reference to current politics, invites them to “leave the shouters with their schemes / while we continue with our dreams,” while another urges them to “live your dream / Reign supreme / King or queen / or something / delightfully / in between.”
Broad and subtle in turn—verse to stay with readers for years to come. (index) (Poetry. 7-11)Pub Date: March 18, 2025
ISBN: 9781774880289
Page Count: 128
Publisher: Tundra Books
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
No substitute for blankets or shelter, but perhaps a way of securing some warmth for those in need.
Gaiman’s free-verse meditation on coming in from, or at least temporarily fending off, the cold is accompanied by artwork from 13 illustrators.
An ambassador for the United Nations High Commissioner for Refugees, the author put out a social media appeal in 2019 asking people about their memories of warmth; the result is this picture book, whose proceeds will go to the UNHCR. For many refugees and other displaced persons, Gaiman writes, “food and friends, / home, a bed, even a blanket, / become just memories.” Here he gathers images that signify warmth, from waking in a bed “burrowed beneath blankets / and comforters” to simply holding a baked potato or being offered a scarf. Using palettes limited to black and the warm orange in which most of the text is printed, an international slate of illustrators give these images visual form, and 12 of the 13 add comments about their intentions or responses. The war in Ukraine is on the minds of Pam Smy and Bagram Ibatoulline, while Majid Adin recalls his time as a refugee in France’s “Calais jungle” camp. “You have the right to be here,” the poet concludes, which may give some comfort to those facing the cold winds of public opinion in too many of the places where refugees fetch up. The characters depicted are diverse. (This book was reviewed digitally.)
No substitute for blankets or shelter, but perhaps a way of securing some warmth for those in need. (Picture book. 6-9)Pub Date: Oct. 31, 2023
ISBN: 9780063358089
Page Count: 32
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
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