by Brock Cole & illustrated by Brock Cole ‧ RELEASE DATE: Oct. 1, 2004
Cole’s words and pictures deliver his tale as effortlessly as a song, but one that pricks with intelligence, sorrow, and hope. Granny opens her door to abandoned cars, kids hanging out, graffiti, and garbage. Maggie, Kate, and little Nora come to stay with her “When Momma was sick and Poppa away.” Granny won’t let them walk outside where the bad boys play, and shows them the locks to keep out burglars. The girls eat their supper and go to bed, but Maggie wakes up to proclaim that there are too many feet in her bed (“WITCH’S FEET!”). A hilarious pillow fight ensues, and the sisters climb into granny-witch’s bed and float out the window. The burglars, bad boys, gas-and-electric men with “their terrible bills” fill their dreams, but Maggie decides to change that. The sisters dream of sun, wind, pancakes, and syrup, and when they wake the next morning in Granny’s bed, she smiles and offers pancakes for breakfast. The same urban street now glows with life, opposing the dingy earlier view. A vivid and satisfying testimony to the transforming power of hope and dreams. (Picture book. 4-9)
Pub Date: Oct. 1, 2004
ISBN: 1-932425-07-1
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
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by William Miller & illustrated by Rodney Pate ‧ RELEASE DATE: May 1, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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