A provocative appreciation of neglected writers from a leading critic.
Transitioning into a “post-literate” society.
“The sacred bones of a literary culture [are] being ground into dust by technology and AI and many other distractions,” writes essayist Allen. To help remedy this decay, she offers a set of appreciative essays on canonical European and Anglophone writers, focusing on the personalities of writers and how fictional and historical characters interact to offer lessons in living lives of beauty. Many of her writers—Samuel Butler, Somerset Maugham, Osbert Sitwell, and Ogden Nash, among others—achieved success despite hardship or criticism. “Light verse used to be a vital part of American culture, high and low,” Allen writes in her essay on Nash. Why has Sybille Bedford never escaped her status as “one of the twentieth century’s most attractive literary curiosities?” How can the plays of Horton Foote teach us that “we are all orphans wandering alone through life, and the consolations of community and family are fleeting at best?” The more you read these essays, the more you are convinced that there is something wrong with you: Distracted by modernity, you have lost grace and humor in the face of, writes Allen, “our Robespierrean practice of cancellation.” Most of Allen’s writers remain products of their own time, with their own prejudices and foibles. Can we truly get past Patricia Highsmith’s misanthropy? Can we forget Sitwell’s politics? Is Truman Capote anything other than the self-caricature he became? Many of these essays originally appeared in venues noted for their highly curated conservatism: the New Criterion, the Wall Street Journal, Christianity Today. Published over the past 25 years, they offer a road map to a reader unhappy with the way the world has turned out.
A provocative appreciation of neglected writers from a leading critic.Pub Date: Nov. 3, 2025
ISBN: 9781966218128
Page Count: 242
Publisher: Tivoli Books
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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