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SEEING GLORY

A NOVEL OF FAMILY STRIFE, FAITH, & THE AMERICAN CIVIL WAR

A thoughtful and often compelling narrative that approaches the Civil War from a refreshing and provocative angle.

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Gardner’s historical novel of the Civil War follows the lives and times of a plantation owner’s bitterly divided family.  

The novel opens in 1856, describing the fallout of what would become known as the Pottawatomie massacre, in which the abolitionist John Brown and his followers killed five pro-slavery settlers. The impact of the event sent shock waves through American society, which is on the brink of war. The story then focuses specifically on the Hodge family, who live on a 700-acre tobacco plantation in Virginia and enslave more than 80 people. As unrest spreads, the family patriarch, Lawrence, grows increasingly anxious about the potential threat to his livelihood. After war comes, his daughter Emma works as a nurse but loses her job after protesting the abuse of a Black child at the hands of a Confederate States Army major. Lawrence’s son David meets Abel Bowman, a former follower of Brown, as they both witness Brown’s execution in 1859; when the country plunges into war, David goes north, becoming a first-rate war journalist who receives praise from President Abraham Lincoln himself. Both Emma and David become deeply committed to the abolition of slavery. Lawrence’s other daughter, Catherine, unlike her siblings, is a resolute Confederate who refuses to believe Emma’s accusations regarding the abuse of enslaved people on the family plantation and whose belief in the Confederacy seems unshakeable. The novel closes at the beginning of the Reconstruction era in 1865.

Gardner meticulously examines his main characters’ shifting attitudes, particularly through the lens of faith. The novel includes a wealth of thought-provoking dialogue that explores the contentious religious rhetoric that was used to legitimize slavery’s perpetuation: At one point, for example, he shows how Catherine seeks to justify her vile, ingrained beliefs by asking a pastor if enslaving others serves “a doubly useful purpose for society—because it supports not only our southern economy but also the continuing civilization and Christian enlightenment of the slaves themselves?” Portrayals of other characters, such as David, capture a longing for change: “There’s just something inside me that fights against so many of the things I’ve been taught.” Gardner is a keenly observant writer, gently bringing the Virginia landscape to life, such as “the sun-speckled, mirrored surface of the middle portion of the river, broken in only a few spots by small, swirling eddies.” However, the author also ably offers suspenseful and shocking scenes that capture the horrors of slavery. As in his previous novel, Hope of Ages Past (2018), the author seamlessly intertwines fiction with fact, as when David attends a lecture given by the abolitionist Frederick Douglass. The author’s great attention to detail roots his story firmly in its era and clearly reflects a wealth of careful research. Novels set during this time and place are commonplace, to be sure, but this one stands out due to its contemplative excavation of its characters’ religious beliefs before, during, and after the conflict.

A thoughtful and often compelling narrative that approaches the Civil War from a refreshing and provocative angle.

Pub Date: N/A

ISBN: 978-0-9998811-5-6

Page Count: 490

Publisher: Zino Publishing

Review Posted Online: Aug. 15, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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CIRCLE OF DAYS

Vintage Follett. His fans will be pleased.

A dramatic, complex imagining of the origins of Stonehenge.

In about 2500 B.C.E. on the Great Plain, Seft and his family collect flints in a mine. He dislikes the work, and the motherless lad hates the abuse he gets from his father and brothers. He leaves them and arrives at a wooden monument where sacred events such as the Midsummer Rite take place. There are also circles of stones that help predict equinoxes, solstices, even eclipses. This is a world where the customary greeting is “May the Sun God smile on you,” and everyone is a year older on Midsummer Day. Except for a priestess or two, no one can count beyond fingers and toes—to indicate 30, they show both hands, point to both feet, then show both hands again. Casual sex is common, and sex between women is less common but not taboo. Joia, a young woman who becomes a priestess, wonders about her sexuality. After a fire destroys the Monument, she leads a bold effort to rebuild it in stone. To please the gods, they must haul 10 giant stones from distant Stony Valley. Of course neither machinery nor roads exist, so the difficulties are extraordinary. Although the project has its detractors, hundreds of able-bodied people are willing to help. Craftspeople known as cleverhands construct a sled and a road, and they make the rope to wrap around the stones. Many, many others pull. And pull. Meanwhile, the three principal groups—farmers, woodlanders, and herders—all have their separate interests. There is talk of war, which Joia has never seen in her lifetime. Soon it seems inevitable that the powerful farmers will not only start one but win it, unless heroes like Seft and Joia can come up with a creative plan. But there is also the matter of love for Joia in this well-plotted and well-told yarn. The story has a lot of characters from multiple tribes, and they can be hard to keep track of. A page in the front of the book listing who’s who would be helpful.

Vintage Follett. His fans will be pleased.

Pub Date: Sept. 23, 2025

ISBN: 9781538772775

Page Count: 704

Publisher: Grand Central Publishing

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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