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18 TINY DEATHS

THE UNTOLD STORY OF FRANCES GLESSNER LEE AND THE INVENTION OF MODERN FORENSICS

A genuinely compelling biography.

The eye-opening biography of Frances Glessner Lee (1878-1962), who brought American medical forensics into the scientific age.

As journalist and former paramedic Goldfarb (Health Care Defined: A Glossary of Current Terms, 1997, etc.) explains, coroners, responsible for investigating unexplained deaths, originated in the Middle Ages; in America, they often paid little attention to medical progress. In the 1800s, all were political appointees, often the local undertaker or a party hack who needed a job. Incompetence was universal, and scandals and corruption were commonplace. Observers complained that “the cause of death certified by coroners was so untrustworthy that health department officials testified that the city’s vital statistics would be more accurate if death certificates signed by coroners were excluded altogether.” Worse, sloppy investigators allowed criminals to escape and often ensnared the innocent. By 1900, only a few large cities required a medical examiner with medical training. The daughter of a wealthy Chicago industrialist, Lee showed little interest in good works until, in her 50s, she spent a long period in a luxury convalescent hospital with George Magrath, an acquaintance and a medical examiner in Boston. A dedicated investigator, he regaled Lee with gruesome tales—generously recounted by Goldfarb—and made no secret of his despair over the state of his profession. Inspired, Lee took up the cause. In 1931, she approached Harvard’s president, offering to pay for a chair in legal medicine, the first in the U.S. For the rest of her life, Lee lobbied energetically and spent liberally to reform the coroner system and promote education in death investigation, sponsoring seminars that continue to this day. She died with many honors—Erle Stanley Gardner wrote an obituary—but her battle is far from won. Coroners still serve about half the U.S. population in less than 30 states, and less than a third of those require scientific training.

A genuinely compelling biography.

Pub Date: Feb. 4, 2020

ISBN: 978-1-4926-8047-5

Page Count: 336

Publisher: Sourcebooks

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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