In McCandless’ debut horror novel, a ragtag crew sets out after a killer leaving a gruesome trail through the East Texas wilderness.
In 1911, something is killing people in the howling wilderness area of East Texas known as the Big Thicket, and it’s not just killing them in a conventional way—it’s ripping them apart, partially eating them and draining them of their blood. A motley posse not fit for a B-western, consisting of a slow-on-the-draw sheriff, an erudite black doctor, a mysterious Texas Ranger and a Forrest Gump-clone, among others, determines to hunt down the thing before it can get somewhere really remote and replicate in anticipation of an assault on humanity. What they discover on their quest, and who they discover is in league with the creature, adds even more spice to this entertaining and often creepy tale. McCandless wisely doesn’t burden the book with a typical main character/hero dripping with save-the-day traits and ironic one-liners; instead, the author fleshes out each of the characters that make up the not-so-merry band of hunters. Even the victims aren’t just dealt with in the one-chop-and-out method common to bad entertainment; they are given back stories and more purpose than just serving as creature fodder. The author channels his inner Bram Stoker at times and moves the story along via letters, newspaper accounts and other indirect narrative devices. A Texan himself, the author bases a lot of the story on studies of regional folklore and oilfield legends. The quickly paced tale is graphically gory in spots, and the book’s back cover contains a warning to that effect, as well as an advisory that the book is not recommended for readers under the age of 18. A well-executed journey into the macabre that should give anyone pause before walking through a desolate area at night.
Pub Date: Jan. 10, 2012
ISBN: 978-0615544861
Page Count: 220
Publisher: Ninth Planet
Review Posted Online: Feb. 17, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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