Illuminating and gritty, though Bacharach's remarks are occasionally self-serving.
Reminiscences of a master songwriter.
Compiled from interviews conducted by journalist Greenfield (The Last Sultan: The Life and Times of Ahmet Ertegun, 2011, etc.) with Bacharach and his associates, this oral memoir provides a congenial overview of a life devoted to music. Bacharach began reluctantly taking piano lessons as a child, then became smitten with classical and jazz compositions; they would later inspire him to bring a sophisticated palette to his own songs. After a few unspectacular years at the Brill Building, he hit the jackpot with lyricist Hal David; the two went on to create such iconic hits as “Baby, It’s You” for the Shirelles, “The Look of Love” for Dusty Springfield and “Raindrops Keep Fallin’ On My Head” for B.J. Thomas. Bacharach candidly details his transformation into a household name, his perfectionism in the recording studio and his sometimes-contentious relationships with David and the indomitable Dionne Warwick. The chanteuse acted as a muse for the pair and was aggrieved when they broke up their songwriting partnership after the colossal failure of their score for the 1973 box office bomb Lost Horizon. For decades, breaking up relationships was a specialty of Bacharach’s; many of the women in his life, including his first three wives, describe him as exuding a combination of ambition, ambivalence and arrogance. The most moving recollections come from Marlene Dietrich, who highly valued Bacharach as her conductor and accompanist on the road, and from ex-wife Angie Dickinson, who laments Bacharach’s decision to institutionalize their autistic daughter, Nikki. The specter of Nikki (who committed suicide in 2007) casts a shadow over the memoir. Whether Greenfield has purposely arranged the book this way or not, intertwining Dickinson’s interviews with Bacharach’s commentary paints a darker picture of the man whom most people identify with catchy love songs and cameo appearances in the Austin Powers films.
Illuminating and gritty, though Bacharach's remarks are occasionally self-serving.Pub Date: May 7, 2013
ISBN: 978-0-06-220606-0
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: March 30, 2013
Kirkus Reviews Issue: April 15, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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