THE BELLS

A young man’s troubles follow him after he trades his spiritual calling for life as a teacher.

Inspired by the life and teachings of Thomas Merton, Niall O’Malley leaves a stressful Ph.D. program to enter a Benedictine monastery in western Massachusetts full of “high hopes for communing with God and soothing his erratic temper.” But after five years, he abruptly abandons the refuge he sought in that religious vocation for a job teaching history at a public high school in a downtrodden town on the New Jersey coast within sight of Manhattan. Despite that fresh start, brightened even more by a blossoming romantic relationship with Lluvia, a kindhearted Puerto Rican immigrant who’s single-mindedly devoted to his happiness, and who he believes “embodied the goodness and joy he’d been seeking,” and a close friendship with his fellow teacher, Trinity, Niall struggles to find fulfillment in his new role, concluding that he’s “not really built for teaching.” One of the major impediments to his job satisfaction is his student Colton Chadwick, the son of a wealthy family whose parents place him in the school in hopes of curing his disciplinary problems. Niall suspects Colton of racist sympathies, and he reinforces his antipathy toward the student by persistently interpreting even the boy’s most innocuous words and actions in a negative light. In spare but quietly eloquent prose, Emmons unobtrusively shifts her story between Niall’s years at the monastery, where his rewarding immersion in the simple daily routine of the contemplative life is marred by an increasingly ominous conflict with his fellow monk Brother Thomas, to his life in the classroom and back again, even briefly exploring the roots of the sometimes-explosive rage that has scarred him since childhood. In the comparatively brief second section of the novel, she fashions a resolution of these parallel plots that honors the depth and complexity of her protagonist’s internal turmoil, as she recognizes that changing one’s life is not as simple as changing its outer circumstances.

An immersive psychological portrait of one man’s battle with lifelong anger and guilt.