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THE ASCENSION DIRECTIVE

A complex, timely, and engaging dystopian tale.

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Lopez presents an unsparing critique of artificial-intelligence-driven efficiency in this speculative novel.

This debut novel imagines an AI-overrun state in the mid-21st century and the impact of its policies on researcher Natasha Morgan and her childhood friend Catalina Restrepo. For the residents of Meadowbrook, technological changes that initially seem relatively benign rapidly devolve into unrelenting coercion. Catalina learns this lesson the hard way after the state threatens to cut off her income credits for what they characterize as overuse of a NeuroSphere device that she uses to help her communicate with Manny, her son with autism. Natasha faces her own difficulties after her research is essentially hijacked as part of mission to harvest human consciousnesses from talented individuals for AI purposes—the titular mandate of the novel. When Prime Minister Julian Vale voices concern over the project’s ethical implications, his assistant tersely reminds him, “Progress demands sacrifice.” It’s a high-stakes tale that offers a timely spin on the familiar dystopian scenarios of such works as Nineteen Eighty-Four and Brave New World, and Catalina and Natasha face increasingly hard choices. Readers may wonder how far off such a reality is, in light of well-established command and control mechanisms that already exist, such as social-credit systems—and the answer may surprise them, as the author suggests in this novel. However, it makes for some dense reading, at times, and characters disappear for extended stretches only to reappear at unexpected moments; one of these figures is Daniel Mercer, a local football hero whose mantra (“Confidence is armor”) proves tragically inadequate for coping with the demands of the AI known as the Prime Aion Node, and its ravenous appetite for control (“I observe everything”); such moments will stick with readers as much as the politics or tech talk. Overall, Lopez shows himself to be a skilled, confident storyteller, and where he goes from here will be intriguing to watch.

A complex, timely, and engaging dystopian tale.

Pub Date: July 15, 2025

ISBN: 9798231509140

Page Count: 486

Publisher: Strange Attraction Press

Review Posted Online: July 1, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MAN WHO DIED SEVEN TIMES

A fresh and clever whodunit with an engaging twist.

A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.

Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”

A fresh and clever whodunit with an engaging twist.

Pub Date: July 29, 2025

ISBN: 9781805335436

Page Count: 288

Publisher: Pushkin Vertigo

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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