A filling, satisfying feast for Faulkner aficionados.
A deeply detailed account of the 1949 Nobel laureate’s early life and work.
In this first of two projected volumes, Rollyson (Emeritus, Journalism and Creative Writing/Baruch Coll., CUNY; Understanding Susan Sontag, 2016, etc.) returns with a thick volume that accomplishes several objectives. It rehearses the details of Faulkner’s family history in Mississippi; examines many intriguing aspects of his early life (romances, drinking, difficulties making enough money, determination to write, public and private manner, friendships and professional associations); and assesses in great detail the major works he published during this time, The Sound and the Fury, As I Lay Dying, and Sanctuary among them. The author also deals frankly with some questions of Faulkner’s character, including his fabrications about his flying experiences (he underwent pilot training for World War I but did not go because the war ended before he could) and his evolving attitudes about race. Near the end of this volume, Rollyson examines Faulkner’s early experiences as a screenwriter in Hollywood, including analyses of the treatments and scripts he worked on—and how these would affect his subsequent fiction. Throughout, the author, an expert biographer, delivers arresting details and telling images from his subject’s life: Faulkner got a D in English at the University of Mississippi; he liked Charlie Chaplin movies and somewhat resembled the cinema star; As I Lay Dying appeared less than a year after he commenced writing it. Faulkner idolized Sherwood Anderson; though they became friends, their friendship eventually fractured. In Hollywood, Faulkner drank with Howard Hawks, and his literary friendships included Lillian Hellman (the subject of a previous Rollyson biography), Dashiell Hammett, and Nathanael West. The author’s underlying research is prodigious, and he does not hesitate to correct earlier biographers. General readers will find some of the book a bit daunting—especially the lengthy exegeses of literary works—but this is a top-notch biography nonetheless.
A filling, satisfying feast for Faulkner aficionados.Pub Date: March 24, 2020
ISBN: 978-0-8139-4382-4
Page Count: 512
Publisher: Univ. of Virginia
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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