Sassy societal commentary muddled by a lack of cohesion or a satisfying conclusion.
Bauer’s relatable but unremarkable debut memoir describes growing up and attempting to define herself while also keeping her faith in God.
Raised in the New Jersey suburbs during the 1970s, the author received an “accelerated Christian education,” primarily from Old Testament stories, in a school operated out of a church basement. She was taught that she should put her self aside to serve God, and warnings about imminent Armageddon made her an anxious, fearful child. Her peers at Christian school were told to avoid television and radio, but she watched MTV and loved rock ’n’ roll. Skeptical of religious fanaticism but still holding tight to her faith, Bauer wittily reveals the insufficiencies and insincerities of church and Christian paraphernalia. In high school and college, she observed the world of drinking, sex and drugs but did not partake. She dated boys and attended frat parties for “research” purposes while seeking guidance from authors like Sylvia Plath and Virginia Woolf. Virginal and sober, she discovered a love of poetry and the possibility of living a faith-based life with some flexibility, but she remained shy and insecure. She moved to New York City, aspiring to write and to create a new identity. She dug deeper into religion, society and herself, but repeatedly came back empty-handed. After sampling different denominations and ways of living, she finally gave up on the church and, later, God. As Bauer describes a slew of failed relationships, characters come and go too quickly for attachment, and the book devolves into a stream-of-consciousness narrative occasionally interrupted by events. Sarcasm and dry humor give way to a more desperate tone as her search for meaning becomes harder and her list of questions longer. She never finds any real answers, and readers may find themselves as confused and discouraged as the author.
Sassy societal commentary muddled by a lack of cohesion or a satisfying conclusion.Pub Date: July 28, 2009
ISBN: 978-0-06-084054-9
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2009
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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