A fresh, authentic account of art, adversity and family.
The bittersweet story of a Cuban ballet dancer’s rise to international fame.
Born in 1973 in a suburb of Havana, Acosta aspired to become a soccer star. His dream ended at age nine when his father Pedro, a stern disciplinarian, forced him to enroll in ballet school. An Afro-Cuban truck driver whose relationship with Acosta’s fair-skinned mother had scandalized her family, as a youth Pedro had been ejected from a whites-only cinema while watching a silent film about ballet. In a debut memoir noteworthy for its candor, energy and colorful sketches of life in Cuba, Acosta depicts the grueling world of ballet against the backdrop of the challenges he confronted in a country undergoing major upheaval during the 1990s. Triggered by the collapse of the Soviet Union and resultant loss of economic aid, the era known in Cuba as the “Special Period” gave rise to massive food and gasoline shortages, daily power outages and a national despair that prompted thousands to flee the country on rough-hewn rafts. The winner at age 16 of a prestigious international ballet competition in Switzerland, Acosta was permitted by the Cuban government to perform as a guest artist with numerous dance companies, including the Houston Ballet. He writes poignantly that his elation about his career was deflated each time he boarded a plane and left his struggling family. Acosta’s chronicle of his efforts to integrate his success as a black ballet dancer with his complex feelings about his country and ambivalence about a profession he didn’t choose makes a lively, provocative read. Now based in London, he has been celebrated in recent years as the choreographer and lead dancer of Tocororo, a ballet inspired by the pain and passion of his upbringing in Cuba.
A fresh, authentic account of art, adversity and family.Pub Date: May 1, 2008
ISBN: 978-1-4165-6629-8
Page Count: 304
Publisher: Scribner
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2008
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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