An engaging gastronomic presentation of French history and culture.
This sequel offers French family stories—and recipes—from Nord-Pas-de-Calais, Normandy and Brittany on the Atlantic coast, the Loire Valley, and Auvergne.
With tape recorder and notepad in hand, Bumpus—traveling with Josianne, her French-speaking friend and guide—first interviewed Veronique for this collection. Veronique lived east of Dunkirk in the Monts de Flandres area, close to the Belgian border. Madame Pund, Veronique’s mother, served “her famous Potjevlesh”(meat pot), a Flemish specialty. Historically, the dish was prepared from leftover meats, such as “rabbit, chicken, and pork…all roasted with a lot of herbs.” Fearful of stirring tragic memories, the author cautiously asked Veronique whether her mother would mind talking about World War II. With Madame Pund’s permission, Veronique launched into the story of her father, whose family escaped the German bombings of Dunkirk. He was 9 years old when his mother and aunt decided to flee. With the men out fighting the Germans, his aunt, who did not know how to drive, became the designated driver. She “could barely reach the pedals…and didn’t know how to use the brake.” To stop the car, Veronique’s father would “jump out and put a block of wood in front of the wheels.” When German airplanes strafed the line of cars, they would “all jump into the ditch.” In Normandy, Bumpus visited the Cathedral of Our Lady in Bayeux, consecrated in 1077, to see the church where a 200-foot-long tapestry depicting “the entire story of William the Conqueror…woven into the cloth” originally resided. The author’s straightforward narrative delivers vivid imagery of both the surroundings and the people: “The air was crisp and sparkling as we drove along the beach”; Madame Pund “moved through the room with some discomfort yet carried herself in a regal manner.” As a poignant illustration of Bumpus’ belief that the trauma of war permanently changes lives, she introduces a French grandmother who had barely survived in Paris during World War II. Upon hearing of 9/11, the woman ordered 500 kilos of potatoes, just in case. All of the recipes discussed and sampled are included in this enjoyable work.
An engaging gastronomic presentation of French history and culture. (maps)Pub Date: Aug. 18, 2020
ISBN: 978-1-63152-896-5
Page Count: 376
Publisher: She Writes Press
Review Posted Online: May 14, 2020
Kirkus Reviews Issue: July 1, 2020
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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