Quietly thoughtful, with surprising touches of humor and eroticism.
A loving couple recovers from a tragic accident in this gently humorous novel from Vancouver resident Adderson.
When plump, happy go-lucky Ross meets Iliana, the two quickly fall in love and marry, but wedded bliss is cut short by a car accident that leaves the graceful, athletic Iliana paralyzed from the waist down. Ross, who was driving the car, is equally paralyzed by guilt and their once easy intimacy suffers. What follows is a generous, clear-eyed study of love, human error and resilience. Adderson (A History of Forgetting, 1999) is equally interested in the life of the body and the spirit, and is especially adept at exploring the point where the two meet. The title refers to both Ross’s post-accident adoption of Buddhist meditation rituals, and Iliana’s physical limitations, which require her to observe the world from a sitting position. After an initial interlude in Vancouver, B.C., the majority of the novel takes place in a small town on Vancouver Island, where Ross and Iliana run a café. Eventually, they are joined by Ross’s neurotic twin, Bonnie, and her young son, Ross’s adored nephew, Bryce. Bonnie’s clinginess and dependency highlight Iliana’s quiet strength, but Adderson neatly avoids sentimental clichés by investing her protagonist with a fierce sexual desire. Ross, meanwhile, has exchanged his former hedonism for vegetarianism and long bicycle rides. As the characters move toward their sexual and emotional crises, Adderson explores the impact of both Ross’s newfound Buddhism and the Christian fundamentalism of Iliana’s childhood on their actions. The novel’s resolution satisfies hopes without undermining the tale’s complexity.
Quietly thoughtful, with surprising touches of humor and eroticism.Pub Date: March 11, 2008
ISBN: 978-1-59030-558-4
Page Count: 336
Publisher: Trumpeter/Shambhala
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2008
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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