A vivid portrait of frontier life and one of its most ardent celebrants.
A sensitive biography of the author of Little House on the Prairie.
Many books about Laura Ingalls Wilder (1867-1957) have stirred up controversy about her writing career and political views. William Holtz’s The Ghost in the Little House (1993) ascribes considerable authorship to Wilder’s daughter, Rose Wilder Lane; Christine Woodside’s Libertarians on the Prairie (2016) presents compelling evidence for Wilder’s ultraconservatism. Fraser (Rewilding the World: Dispatches from the Conservation Revolution, 2009, etc.), editor of the Library of America edition of the Little House books, offers a cleareyed and well-documented examination of Wilder’s life, writings, and career; her relationship with Rose; and her politics. Deeply respectful of Wilder as a writer, she deems Little House on the Prairie “a classic work” and “a cultural monument” that, although fiction, tells “the truth about settlement, about homesteading,” and about farmers’ “astonishing feats of survival,” which Wilder experienced firsthand. As a child, she was “constantly uprooted and often imperiled”; married at 18, she faced years of “exhaustion, failure, and regret.” After her husband was crippled in an accident, compromising his ability to farm, Wilder, in addition to farm work, took odd jobs. When Rose, a journalist, suggested publishing as a way to make money, Wilder eagerly recorded memories of prairie life. Rose served as editor. Fraser portrays the domineering Rose as erratic, angry, depressive, and self-destructive, repeatedly causing “ruination to herself, bringing her life down around her ears.” She compulsively poured money into house renovations and lavish travel, often leaving herself destitute. Like her mother, she was adamantly opposed to Franklin Roosevelt’s New Deal; she was anti-Semitic, “an apologist for dictatorial regimes,” and a champion of Ayn Rand’s work. The literary collaboration between mother and daughter was “a competition” between “Wilder’s plain, unadorned, fact-based approach versus Lane’s polished, dramatic, and fictionalized one. In Wilder’s autobiographical work, ‘truth’ would become a battlefield.” What emerged was a nostalgic life story, “reimagined as an American tale of progress,” that catapulted Wilder to fame.
A vivid portrait of frontier life and one of its most ardent celebrants.Pub Date: Nov. 21, 2017
ISBN: 978-1-62779-276-9
Page Count: 640
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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