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IN MARY'S GARDEN

A friendly chronicle of an offbeat artist.

A portrait of Wisconsin folk artist Mary Nohl (1914-2001) and her sculptures.

As a child, “[w]hile the other girls [take] cooking classes,” Mary learns woodworking and makes an airplane. She helps her father build a house on Lake Michigan’s shore and realizes that she loves to create things with her hands. Collecting driftwood, feathers and rocks, Mary employs her building skills—mixing cement with beach sand, as her father showed her, and spreading it over a support of wood, wire and piping—to create a massive, playful-looking creature. The Küglers use watercolor, digital painting, collage and vintage papers to portray Mary’s world and sculptures. Some of the illustration has a stylized folk-art feel, blocky and angular in mild colors, while Mary’s dogs have rounder lines. Mary’s sculptures vary in scale, so the illustrations play with scale too. In one example, Mary and her dogs discover “a marvelous creature washed up on the sand.” The purple, wavy-limbed object looks enormous—until the following spread reveals it to be a small, beige piece of driftwood. That driftwood becomes an antler on Mary’s huge, sculpted creature. An author’s note explains Mary’s eccentricities—melting silverware, painting on indoor carpeting—and the controversy of her neighborhood’s refusal to allow public visitors into her garden of odd, fantastical creatures.

A friendly chronicle of an offbeat artist. (author’s note, photos) (Picture book/biography. 6-9)

Pub Date: March 17, 2015

ISBN: 978-0-544-27220-0

Page Count: 32

Publisher: HMH Books

Review Posted Online: Jan. 9, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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LONG, TALL LINCOLN

A succinct, edifying read, but don’t buy it for the pictures.

Abraham Lincoln’s ascent to the presidency is recounted in a fluid, easy-to-read biography for early readers.

Simple, direct sentences stress Lincoln’s humble upbringing, his honesty, and his devotion to acting with moral conviction. “Lincoln didn’t seem like a man who would be president one day. But he studied hard and became a lawyer. He cared about people and about justice.” Slavery and Lincoln’s signature achievement of emancipation are explained in broad yet defined, understandable analogies. “At that time, in the South, the law let white people own black people, just as they owned a house or a horse.” Readers are clearly given the president’s perspective through some documented memorable quotes from his own letters. “Lincoln did not like slavery. ‘If slavery is not wrong,’ he wrote to a friend ‘nothing is wrong.’ ” (The text does not clarify that this letter was written in 1865 and not before he ascended to the presidency, as implied by the book.) As the war goes on and Lincoln makes his decision to free the slaves in the “Southern states”—“a bold move”—Lincoln’s own words describe his thinking: “ ‘If my name ever goes into history,’ Lincoln said, ‘it will be for this act.’ ” A very basic timeline, which mentions the assassination unaddressed in the text, is followed by backmatter providing photographs, slightly more detailed historical information, and legacy. It’s a pity that the text is accompanied by unremarkable, rudimentary opaque paintings.

A succinct, edifying read, but don’t buy it for the pictures. (Informational early reader. 6-8)

Pub Date: June 20, 2017

ISBN: 978-0-06-243256-8

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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STACEY'S REMARKABLE BOOKS

A worthy message delivered with a generous dose of inclusivity.

Sharing books brings children from multiple backgrounds together in this companion to Stacey’s Extraordinary Words (2021).

Again lightly burnishing actual childhood memories, voting rights activist and former gubernatorial candidate Abrams recalls reaching out as a young book lover to Julie, a new Vietnamese classmate shy about reading in English. Choosing books to read and discuss together on weekly excursions to the school’s library, the two are soon joined by enough other children from Gambia, South Korea, and elsewhere that their beaming librarian, Mr. McCormick, who is dark-skinned, sets up an after-school club. Later, Julie adds some give and take to their friendship by helping Stacey overcome her own reluctance to join the other children on the playground. Though views of the library seen through a faint golden haze flecked with stars go a little over the top (school librarians may disagree), Thomas fills the space with animated, bright-eyed young faces clustering intimately together over books and rendered in various shades beneath a range of hairstyles and head coverings. The author underscores the diversity of the cast by slipping scattered comments in Spanish, Wolof, and other languages into the dialogue and, after extolling throughout the power of books and stories to make new friends as well as open imaginations to new experiences and identities, brings all of her themes together in an afterword capped by an excellent list of recommended picture books. (This book was reviewed digitally.)

A worthy message delivered with a generous dose of inclusivity. (Picture-book memoir. 6-9)

Pub Date: Dec. 13, 2022

ISBN: 978-0-06-327185-2

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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