A revealing and rewarding biography documenting the life, work, and historical relevance of a great American author.
Acclaimed biographer Shields explores the life and work of one of the most celebrated American playwrights of the 20th century.
Drawing on meticulously researched sources, including previously unpublished interviews and private correspondence, Shields offers an illuminating portrait of Lorraine Hansberry (1930-1965) and her tragically brief but formidable career. Shields, author of biographies of Kurt Vonnegut and Harper Lee, deftly sets the particularities of Hansberry’s life against a backdrop of relevant themes. These include the Great Migration of African Americans out of the rural South, housing crises in urban centers such as Chicago, intensifying civil rights battles on a variety of fronts, acute concerns over nuclear proliferation, and the appeal of the Communist Party for America’s disenfranchised. The author’s analyses of his subject’s intellectual and literary growth are especially admirable. Raised in a family whose wealth depended on an often predatory mode of capitalism, Hansberry embraced Marxism as a young adult, and the tension created by her commitment to socialism forms one of the most striking subplots of this narrative. Moreover, Shields skillfully locates Hansberry’s evolving ideology within contemporary literary and political movements. For example, the author gives us a clear sense of the influence of Irish playwright Seán O'Casey, of fellow American authors and public intellectuals such as James Baldwin, and of a range of figures interested in critiquing conventional gender roles. As Shields notes of his subject’s immersion in avant-garde critical perspectives, “when there was, as yet, no national feminist discourse coming from any quarter, Hansberry was schooled in woman-centered intersectional thinking by some of the most progressive black women of her day.” The book’s subtitle ultimately delivers on its promise, as the author provides a fascinating view of the personal and cultural forces informing Hansberry’s dramatic masterpiece, A Raisin in the Sun.
A revealing and rewarding biography documenting the life, work, and historical relevance of a great American author.Pub Date: Jan. 18, 2022
ISBN: 978-1-250-20553-7
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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