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TWO ARTISTS, GRANDAD AND ME

An endearing tribute to a picture-book legend.

The author recalls time spent with her late grandfather, Caldecott Medalist Jerry Pinkney (1939-2021), in his art studio.

As a little girl, Pinkney Barlow relished her trips to her grandfather’s atelier: “Music shimmies up the stairs. The trill, cheep, chirp of birdsong drifts through the open window, mixing with the bop, tap, clap of Grandad’s jazz.” The watercolor paints that Grandad uses are on enticing display. Grandad shows young Charnelle how to create watercolor washes, which she initially finds hard to use, and he gives her a sketchbook. As the pair make art together, Grandad imparts a key bit of indelible wisdom: “There is no right way.” The child vows to “gather these memories and tuck them into my pocket,” and she has indeed unearthed them to create this charmer. The text reads like a prose poem that will likely speak to older picture-book readers and their elders, but audiences of all ages will appreciate Pinkney Barlow’s enchanting digitally tweaked mixed-media art. Colored pencil illustrations tie together cut-paper and found-object imagery, and all the careful layering sorely tempts the hand. An afterword includes two images that may be a revelation for readers: a photo of Pinkney Barlow as a 9-year-old posing as the Little Match Girl for her grandfather and a resulting sketch that seeded the illustration that Jerry Pinkney used in his celebrated adaptation of the Hans Christian Andersen story.

An endearing tribute to a picture-book legend. (Picture-book memoir. 4-8)

Pub Date: Jan. 20, 2026

ISBN: 9780593571224

Page Count: 32

Publisher: Doubleday

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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OUR SUBWAY BABY

A delightful story of love and hope.

Families are formed everywhere—including large metropolitan mass-transit systems!

Baby Kevin, initially known as “Danny ACE Doe,” was found in the New York City’s 14th Street subway station, which serves the A-C-E lines, by one of his future fathers, Danny. Kevin’s other father, Pete (author Mercurio), serves as the narrator, explaining how the two men came to add the newborn to their family. Readers are given an abridged version of the story from Danny and Pete’s point of view as they work to formally adopt Kevin and bring him home in time for Christmas. The story excels at highlighting the determination of loving fathers while still including realistic moments of hesitation, doubt, and fear that occur for new and soon-to-be parents. The language is mindful of its audience (for example using “piggy banks” instead of “bank accounts” to discuss finances) while never patronizing young readers. Espinosa’s posterlike artwork—which presents the cleanest New York readers are ever likely to see—extends the text and makes use of unexpected angles to heighten emotional scenes and moments of urgency. The diversity of skin tones, ages, and faces (Danny and Pete both present white, and Kevin has light brown skin) befits the Big Apple. Family snapshots and a closing author’s note emphasize that the most important thing in any family is love. (This book was reviewed digitally with 11.3-by-18-inch double-page spreads viewed at 43% of actual size.)

A delightful story of love and hope. (Informational picture book. 5-8)

Pub Date: Sept. 15, 2020

ISBN: 978-0-525-42754-4

Page Count: 40

Publisher: Dial Books

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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FRIDA KAHLO AND HER ANIMALITOS

A supplemental rather than introductory book on the great artist.

Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.

Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.

A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)

Pub Date: Sept. 5, 2017

ISBN: 978-0-7358-4269-4

Page Count: 40

Publisher: NorthSouth

Review Posted Online: June 18, 2017

Kirkus Reviews Issue: July 1, 2017

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