A sympathetic portrait of Mexican-American feminism (both in mother and daughter) delivered in a poignant, beautifully...
A queer Latina feminist focuses on her ferocious, survivor mother from Tijuana.
In her moving portrait, Moraga (English/Univ. of California, Santa Barbara; A Xicana Codex of Changing Consciousness: Writings, 2000-2010, 2011, etc.), the founder of Kitchen Table: Women of Color Press, examines her close but tortured relationship with her now-deceased mother. Elvira Isabel Moraga, who came of age in Tijuana’s golden era in the 1920s, “was not the stuff of literature.” The daughter of an “illusive trickster who shuttle[d] between worlds” and “rode the counterfeit borders of the Southwest with a vaquero flare of Mexican independence and macho bravado,” Elvira and her numerous siblings, born on the American side of the border, were hired out by their father for menial labor, essentially limiting her education (“her inability to read and write well remained an open wound”). As a teenager, Elvira secured work until the mid-1930s as a hat-check–and-cigarette girl at a high-stakes gambling room in Tijuana, eluding the advances of the casino's predatory owner. Ultimately, she met and married a man named Joseph, a “functionary” who operated the South Pasadena Santa Fe Railroad station. Together, they and their children moved east of Los Angeles, embracing the suburban dream that characterized much of post–World War II America. Born in 1952, author Moraga offers mesmerizing details of growing up there and in San Gabriel, a mixed-race community, near her grandmother, who served as the locus of myriad visits by relatives. Coming to terms with her sexuality during a progressive social era almost derailed the author’s relationship with her strict, volatile mother, but in the end, her mother assured her, “how could you think that there is anything in this life you could do that you wouldn’t be my daughter?” The author’s determination to learn Spanish and visit Mexico helped the two bond in her mother’s later years, which were marked by Alzheimer’s.
A sympathetic portrait of Mexican-American feminism (both in mother and daughter) delivered in a poignant, beautifully written way.Pub Date: April 2, 2019
ISBN: 978-0-374-21966-6
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 3, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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