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LOVE SONG FOR BABY X

HOW I STAYED (ALMOST) SANE ON THE ROCKY ROAD TO PARENTHOOD

A relatable, even-keeled, well-written account of the struggles and triumphs of infertility treatment.

A lesbian couple faces infertility in the midst of a historic moment in California's marriage-equality movement.

Some couples trying to conceive step into a sperm bank as a last resort. Poet Dumesnil (In Praise of Falling, 2009, etc.) and her partner started there, but her first pregnancy ended in a blighted ovum—or might have, as she shares an experience that led her to question her dismissive doctor's reading of the ultrasound. She had another miscarriage, then another, which, in the words of a bizarrely cheerful doctor, "w[on] [her] a ticket to endocrinology!” Though she expresses her sadness and worry, Dumesnil does not use her circumstances as an excuse to treat others badly. She complains about her HMO but appreciates that her endocrinologist did not “bat an eye at these lesbian wannabe mamas in his doorway." Her experience speaks to the loss of control many accomplished women feel when they try to get pregnant: "[E]very other time I've wanted something—like a graduate degree, or a job—all I had to do was work hard to get it…if pregnancy was a merit-based reward, I'd be so pregnant right now." After her miscarriages, Dumesnil decided not to make plans based solely on pregnancy, which led her to write about, and participate in, the same-sex marriages taking place at the San Francisco City Hall in 2004. Just days before getting married, the author found out she was pregnant. Hours after her televised wedding, she learned that an injunction had stopped the marriages, and she pushed past her anxiety and fatigue to march in protest. Dumesnil's ability to handle disappointment and setbacks with grace and humor, along with her engaging writing style, make this an engrossing read.

A relatable, even-keeled, well-written account of the struggles and triumphs of infertility treatment.

Pub Date: Feb. 12, 2013

ISBN: 978-19354396-3-9

Page Count: 240

Publisher: Ig Publishing

Review Posted Online: Dec. 22, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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