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SIGHTS I LOVE TO SEE

From the I Love to series

A bright and bubbly outing with an infectiously cheerful protagonist.

A brown-skinned girl with straight, black hair who lives in what looks to be the American Southwest lists the “wonderful sights I love to see.”

From rainbows and clouds to birthday-cake candles and jelly beans, the unnamed narrator celebrates what she sees. Most are natural phenomena—dewdrops, an earthworm, flowers in spring—but other choices reveal an imaginative bent: “Reflections in a silver spoon. / The man who’s winking in the moon.” Freeman places Hudson’s narrator in a desert landscape with saguaros and weathered buttes. One quietly dramatic double-page spread depicts the narrator from above as she crouches on the parched earth, studying “An army of ants on the move. / A blade of grass in a sandy groove.” Given this concrete sense of place, the abrupt transition from one page to an ocean beach and from another to the unlikely image of snowflakes drifting down onto the desert from a partly cloudy sky are incongruous. The child’s specific ethnicity is not provided, but an image of the narrator’s brother hiding behind an earthenware jar and another of the child with an adult, both wrapped in a bright, woven blanket, hint at an indigenous heritage. A further image of the child in a thoroughly modern bathtub makes clear that this child and her family are thriving in the present day. Series companion Friends I Love to Keep, by Wade Hudson and also illustrated by Freeman, publishes simultaneously and depicts an energetic black girl in a comfortable, middle-class setting with a multiracial group of friends.

A bright and bubbly outing with an infectiously cheerful protagonist. (Picture book. 3-5)

Pub Date: May 1, 2017

ISBN: 978-1-60349-009-2

Page Count: 24

Publisher: Marimba Books

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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