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CODE TALKER

A unique, inspiring story by a member of the Greatest Generation.

A firsthand account of how the Navajo language was used to help defeat the Japanese in World War II.

At the age of 17, Nez (an English name assigned to him in kindergarten) volunteered for the Marines just months after the bombing of Pearl Harbor. Growing up in a traditional Navajo community, he became fluent in English, his second language, in government-run boarding schools. The author writes that he wanted to serve his country and explore “the possibilities and opportunities offered out there in the larger world.” Because he was bilingual, he was one of the original 29 “code talkers” selected to develop a secret, unbreakable code based on the Navajo language, which was to be used for battlefield military communications on the Pacific front. Because the Navajo language is tonal and unwritten, it is extremely difficult for a non-native speaker to learn. The code created an alphabet based on English words such as ant for “A,” which were then translated into its Navajo equivalent. On the battlefield, Navajo code talkers would use voice transmissions over the radio, spoken in Navajo to convey secret information. Nez writes movingly about the hard-fought battles waged by the Marines to recapture Guadalcanal, Iwo Jima and others, in which he and his fellow code talkers played a crucial role. He situates his wartime experiences in the context of his life before the war, growing up on a sheep farm, and after when he worked for the VA and raised a family in New Mexico. Although he had hoped to make his family proud of his wartime role, until 1968 the code was classified and he was sworn to silence. He sums up his life “as better than he could ever have expected,” and looks back with pride on the part he played in “a new, triumphant oral and written [Navajo] tradition,” his culture's contribution to victory.

A unique, inspiring story by a member of the Greatest Generation.

Pub Date: Sept. 6, 2011

ISBN: 978-0-425-24423-4

Page Count: 320

Publisher: Dutton Caliber

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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