by Chisato Tashiro ; adapted by Kate Westerlund ; illustrated by Chisato Tashiro ‧ RELEASE DATE: Oct. 1, 2015
Readers will want to move in with these mice.
Five mice build a house, and what a house it is!
First introduced to these five adorable mice in Five Nice Mice & the Great Car Race (2014), readers now find them worrying about their present living circumstances. “Our neighborhood is getting scary, and I don’t like it!” says Abby. “There are two new cats in our building!” says Bon Bon. And so they set off to find a new place to live. After searching and searching, they find themselves in front of a mountain filled with things that people have thrown away. With extraordinary detail, Tashiro illustrates the ingenious ways the mice put to use the discarded objects. It’s recycling and reusing at their best! They bathe in a contraption made out of an old flowerpot that collects rainwater, which is then fed into the house via pipes that lead to a teacup to soak in; it’s a masterpiece of engineering. They work and work until it is all finished, but when they settle in for a well-deserved rest: “MMMEEEOOOWWW!” Has all their work been wasted? Readers now see the mice are not just clever, but they are indeed, as the title says, nice. The painterly illustrations are charmingly rendered in strongly saturated colors that add an earthy feel and make them wholly appropriate to the story.
Readers will want to move in with these mice. (Picture book. 4-8)Pub Date: Oct. 1, 2015
ISBN: 978-988-8240-39-5
Page Count: 36
Publisher: minedition
Review Posted Online: July 26, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Chisato Tashiro ; illustrated by Chisato Tashiro ; translated by Sayako Uchida
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by Chisato Tashiro ; illustrated by Chisato Tashiro
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Cam Kendell
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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