by Chris Haughton & illustrated by Chris Haughton ‧ RELEASE DATE: March 1, 2012
Young children who struggle to follow the rules will feel a bond with George, and the story’s present-tense narration and...
George is a gigantic, magenta dog with a purple snout and huge, expressive eyes. He wants to be good and knows the rules of proper behavior, but he can’t quite manage to follow them when left alone in the house.
The individual’s struggle for self-control is subtly conveyed in George’s story, which manages to make old concept fresh thanks to George’s winning personality and a vibrant, jazzy artistic style. Minimalist illustrations in a combination of pencil and digital media use geometric shapes and a striking palette of bold oranges, red and purples complemented by a contemporary typeface and a large trim. When George’s owner, Harry, leaves George at home, the big pooch eats the cake, chases the cat and digs up the plants in a flurry of misbehavior. George is filled with remorse, and with a teary apology, he offers his favorite toy to his owner in recompense. Later, on a walk with his owner, George is able to control himself and bypass similar temptations, but the open-ended conclusion shows George next to an overflowing trashcan, with a decision to make about his next move.
Young children who struggle to follow the rules will feel a bond with George, and the story’s present-tense narration and repeated refrains make this a natural for reading aloud. (Picture book. 3-6)Pub Date: March 1, 2012
ISBN: 978-0-7636-5546-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
Awards & Accolades
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Our Verdict
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: July 2, 2019
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
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New York Times Bestseller
IndieBound Bestseller
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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