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THE GOOD BROTHER

Strong, grim, haunting portrait of a man inescapably marked by an act of violence, in a first novel by the author of the memoir The Same River Twice (1993). Virgil, a bright, restless, laconic young man, finds himself doubly burdened when his wild older brother Boyd is murdered. The hell-raising Boyd has been an essential part of Virgil's life, and Virgil's grief is pressing and deep. And, because life in his isolated corner of Kentucky has not been much altered by modern times, his family, his friends, and even the local sheriff expect Virgil to avenge Boyd's death by killing the local rough suspected of the deed. Reluctantly, and with growing despair, Virgil plots to do so. Afterward, he flees west, and the bulk of the novel is taken up with his life in the backwoods of Montana. The skills evident in Offutt's earlier writing, including his pitch-perfect rendition of the vivid, terse, often droll character of the spoken word, and his talent for vigorously, precisely describing rural blue-collar culture, its trailer courts and bars, struggling factories and backroad settlements, are once again on display. Virgil expects that Montana will offer him a chance to hide until he can puzzle out what to do. But the relatives of the man he murdered come searching for him, and, through yet another act of violence, he inadvertently falls in with modern militiamen who've declared war on the US government. Virgil, drawn to the strong, independent sister of one of the group's members, finds that, no matter how he tries, violence has become an inescapable part of his life. The apocalyptic ending is bloody, sad, and convincing. As a portrait of a good man's life shattered by violence, and as a meditation on the persistent attraction of violence in American society, Offutt's first fiction is persuasive, original, and disturbing. The work of a sizable talent. (Author tour)

Pub Date: June 1, 1997

ISBN: 0-684-80983-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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