This tale of sorrow and letting go aptly highlights the characters while fusing dual eras.
In McGroarty’s suspense novel, a grieving widow suspects her newly purchased Philadelphia home is haunted.
Libby Casey, who runs a design business, is inexplicably drawn to a colonial house for sale. She thinks moving there may be the change she needs, as she’s still in the home where she lived with her beloved husband, Ray, who died only 18 months earlier. She’s not at her new home for long before strange things begin to happen: A chair scrapes across the floor in the dead of night, and a glove, which her border collie mix Buck had found, mysteriously moves. These are just the first of many similar incidents, all of which Libby soon attributes to a ghost, likely the former homeowner from back in the 18th century. She dives into the estate’s history assisted by a diary excerpt and her eccentric neighbor, who may be psychic (the woman dismisses labels). Libby will do whatever she can to get rid of this ghost so that she (and maybe the spirit, too) can live in peace. McGroarty zeroes in on the bright cast, providing enriching details; Libby still mourns her lost husband and has trouble sleeping. As the ghost seemingly takes over her life, she deals with assorted reactions: Her amiable business partner, Harry, is supportive, but her friend Diana, sadly, tends to question Libby’s unsettling experiences (“I just think you might need a rest”). Though the ghostly occurrences are more curious than frightening, a concurrent plotline set in the 1700s turns increasingly dark. Along with the alternating plotlines, Libby’s concise narration keeps everything moving at a steady clip as she inches closer to revealing secrets, including one of her own. The wrap-up is wholly satisfying for every character, both present and past.
This tale of sorrow and letting go aptly highlights the characters while fusing dual eras.Pub Date: July 1, 2025
ISBN: 9781956615494
Page Count: 286
Publisher: Literary Wanderlust
Review Posted Online: June 30, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.
More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.
In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.Pub Date: Aug. 12, 2025
ISBN: 9780063336773
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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