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POSER

MY LIFE IN TWENTY-THREE YOGA POSES

Delicious fun with a friendly nudge for readers on the fence about yoga.

Enjoyable memoir about life and the provocations of childbirth made palatable with yoga poses.

Critic and essayist Dederer describes herself as a “self-conscious, hair-adjusting kind of person,” just the type to dismiss yoga and its purported physical- and mental-health benefits. She thought the exercise regimen was tailor-made only for “white people seeking transformation,” but when her back seized after lifting her newborn daughter, the many folks recommending yoga didn’t seem so crazy after all. Raising her daughter with her intermittently distant husband, also a writer, in a white, liberal, “well-intentioned” Seattle neighborhood proffered its own set of challenges, so she embraced yoga as part of a self-betterment project. Though some of the poses, Dederer wryly admits, seemed “porny,” and she digested its spiritual and metaphysical aspects with “an agnostic’s indifference,” the ten years that followed were transformational. Her three best friends—a new mother with bohemian ideals, a risk-taking young mother and a childless artist—provided support through the writer’s episodes of insecurity, the birth of her second child and a hilarious one-time attempt at pregnancy yoga (“nine ladies lying on the floor in a sunny room, farting”). The family’s big move to Colorado offered a cleansing breath of fresh air. Dederer’s bittersweet childhood and adult life is consistently engrossing and never becomes overshadowed by an eccentric family (though there’s great potential). The author’s parents are legally married, yet her mother has had a boyfriend for 25 years, and her brother is a former alternative-rock musician turned public-relations guru who insists that his parents get divorced. Through “coronal planes,” sutras and savasanas, from downward dog to lotus poses, Dederer contributes nuggets of yoga trivia paired with a droll, self-effacing delivery that’s both down-to-earth and pleasingly introspective.

Delicious fun with a friendly nudge for readers on the fence about yoga.

Pub Date: Jan. 4, 2011

ISBN: 978-0-374-23644-1

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 10, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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