As sweet as apple pie—though one slice might just be enough.
Bunny’s back (Bunny Slopes, 2016), and this time they’re hungry.
A rumbling tummy sends narrator Bunny to an apple tree. But—uh-oh, they can’t reach! Luckily, Bunny isn’t alone in their quest—they have readers! Bunny politely asks these readers to “shake the book” to make the apples fall. When leaves fall instead, Bunny next prompts readers to “blow” the leaves away. Unfortunately, Bunny’s scarf gets caught in the helpful gust. Trapped in the tree in the illustration, the scarf also extends physically out of the book as a ribbon artfully inserted at exactly the right page. Readers must grab the scarf/ribbon and move it to the next page so that Bunny can use it as a rope to reach the apples. Once their wagon is full of red deliciousness, Bunny wanders home. Along the way, readers must “tilt,” “rock,” and “turn” the book to keep Bunny moving. Rueda’s digitally-rendered charcoal illustrations are black and white with yellow tones. The sparse text highlights commands to readers in large-point, often playfully set red display type that, along with the red of various objects, creates a lovely accent. Though Rueda employed similar metafictive elements in the book’s predecessor, they’re used much more effectively and originally in this sequel. The ribbon will inevitably get misplaced during read-alouds, so it’s up to caregivers to remember to return it to its logical spot in the story.
As sweet as apple pie—though one slice might just be enough. (Picture book. 3-5)Pub Date: Sept. 11, 2018
ISBN: 978-1-4521-6255-3
Page Count: 64
Publisher: Chronicle Books
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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