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A DIFFERENT SEA

From acclaimed Italian writer Magris (Inferences from a Sabre, 1991, etc.), one of those slender European novels that earnestly explore the meaning of life in exquisitely calibrated prose. Much is expected of young Enrico by his two great friends, Nino and Carlo. All three young men were born in the late 19th century and raised in what was then part of the Austrian Empire and later, after two world wars, successively under Italian and Yugoslavian Communist rule. These historical changes, with their inevitable disruptions and dislocations, form the background for Enrico's life story. The trio meet to discuss philosophy, read, and derive ``enormous pleasure from their shared view of the world.'' For Carlo, a philosopher, Enrico is ``the friend who would fill all space and embody the world I was searching for.'' Nino also shares these high opinions, opinions confirmed by Enrico's decision to avoid military service by sailing to Patagonia. ``You know how to exist entirely in the present Rico, they had said to him as he left. You do not devalue your life through fear of losing it.'' But in Patagonia, Enrico, who had once written to Tolstoy and still reads Greek, is soon aware of his inadequacies. Herding sheep in the desert and living alone in a rough hut do not promote the exalted authentic life he'd expected. Existence becomes a matter of mere survival, and this retreat, first from his friends' expectations, and later from relationships with women, continues on his return home. He teaches school, then moves to an island. Here he endures the German invasion, is arrested and beaten up by the new Communist rulers, and though he tentatively tries to connect with others and find some meaning, he never really lives the authentic life his friends were so sure was his. A poignant portrait of failure and undaunted resilience to continue despite it.

Pub Date: Feb. 17, 1995

ISBN: 0-00-271339-X

Page Count: 108

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1994

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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