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JENNY AND THE GRAND OLD GREAT-AUNTS

From the author of several fine novels for young people (Sydney, Herself, 1989), a book for younger readers, with the familiar theme of a child making friends with an adult. Jenny is left for an afternoon with her father's elderly aunts, whom she hardly knows. At first, all three are stiff and tongue-tied; then, while Aunt Clare naps in her chair, Aunt Abby and Jenny tiptoe to the attic, where they explore a trunk full of wonderful toys and dance to the music of an old Victrola. When her parents return, Jenny and Dad (who used to enjoy staying with the aunts when he was a boy) share a secret: still stuck in Aunt Abby's hair are bits of the pink feather boa she twirled as they danced. Roman's attractive, soft color pencil illustrations nicely capture Jenny's perception of the ornate, dauntingly tidy Victorian house and the growing warmth between the child and the old ladies. The easily read story is skillfully written, with evocative details (the attic smells ``like the insides of pockets''). An appealing bridge to early chapter books. (Fiction/Young reader. 6-9)

Pub Date: March 31, 1992

ISBN: 0-02-777785-5

Page Count: 40

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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