Splendid storytelling about ambition, cruelty, and power.
A sweeping novel of ancient Rome and the early days of Nero.
To borrow a philosopher’s phrase opining on another era, life in ancient Rome was nasty, brutish, and short—and being on top of the heap didn’t seem to help much. In the year 37 CE, the brutal Emperor Tiberius is dying. Agrippina is related to him by marriage and has a young son, Lucius, who will one day become known as Nero. Sit back and enjoy—or cringe at—this bloody tale that is littered with the bodies of the powerful, the ambitious, and the innocent. The story roughly follows Agrippina and her son, Lucius, who carry cruelty in their genes. She, for example, poisons her husband, Italus, a centurion who seems only to have treated her well. When the wretched Tiberius dies, Agrippina’s brother becomes emperor. He is Gaius Julius Caesar, nicknamed Caligula, or Little Boots, and he is “quite mad…as dangerous as any scorpion.” “It was death to touch” Caligula, even to rescue him from a dangerous fall. He exiles his sister on a vague suspicion, but after she eventually returns, she marries his uncle Claudius, who spits on his nephew’s corpse. In time, she and Lucius accompany Claudius on his campaign to conquer Britannia. Then—no spoiler, this—Agrippina tells the lad that one day he’ll be Emperor Nero. The novel seems to follow historical events as accurately as possible, considering the passing of two millennia. “Life was violence,” and so at times was birth, as in one horrific scene with Caligula’s son. The fact that Nero murders his mom will have to wait for a sequel.
Splendid storytelling about ambition, cruelty, and power.Pub Date: May 24, 2024
ISBN: 9781639366545
Page Count: 400
Publisher: Pegasus
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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