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CUPCAKE

An entertaining teen romance that bakes in a story of self-discovery.

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A teenager’s usual confidence wavers when she’s unexpectedly chosen for the homecoming court in this YA romance.

High school senior Ariel Duncan, a talented baker with a curvy silhouette, generally goes by Cupcake. Her baking (and rom-com movie) vlog has some 12,000 followers—not bad for small-town Honeycomb, Georgia. She’s not into football culture, so she is astonished to be nominated for the homecoming court. As she puts it to herself, “I love my body, but I’ll never fit the mold of what society thinks a princess should be.” Her prince partner is Rhys Castle, the school’s muscular, square-jawed “golden boy quarterback.” Strangely, when he’s given the opportunity to switch partners, he refuses. Though Rhys tends to be grimly uncommunicative, he can seem friendly, even flirty, keeping Cupcake off balance. One reason she loves baking is the control it gives her: “If you followed a recipe to the letter, you were ensured a great result.” But there’s no recipe for a relationship with Rhys, causing Cupcake’s steadfast self-esteem to falter when she finds herself falling for him. As homecoming approaches, Cupcake discovers new depths in Rhys, faces her self-doubts, and is challenged to bravely claim her inner princess. In her latest YA romance, O’Gorman treads some familiar ground with her slightly overweight hero and the will-she-get-the-guy plot. On the other hand, Cupcake doesn’t have (or need) a makeover scene, and given a judgmental culture, her doubts have some merit. As a little girl comments, there are no fat Disney princesses. The romance is appealing, tying in well with Rhys’ character development, and amusing scenarios enhance the story. Rom-com fans will especially appreciate how the ending cleverly amasses genre tropes when Cupcake makes an over-the-top public proclamation of her feelings.

An entertaining teen romance that bakes in a story of self-discovery.

Pub Date: Nov. 2, 2021

ISBN: 978-1-64937-032-7

Page Count: 320

Publisher: Entangled Teen

Review Posted Online: Oct. 1, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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