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THE TAIGA SYNDROME

An eerie, slippery gem of a book.

A detective travels to the heart of a mysterious snow forest in this existential mystery about desire, hauntings, and the failure of language.

When the unnamed narrator of Mexican author Rivera Garza’s (The Iliac Crest, 2017, etc.) gothic noir accepts the case of a missing couple, she feels haunted by all the cases she has failed to solve. “The case of the woman who disappeared behind a whirlwind. The case of the castrated men. The case of the woman who gave her hand, literally,” she thinks. Intrigued and alarmed by her client's tragic description of the Taiga Syndrome, in which “inhabitants of the Taiga begin to suffer terrible anxiety attacks and make suicidal attempts to escape,” she sets off with a translator to follow in the missing couple’s footsteps. When they arrive at the village where the couple was last seen, they’re brought to “a hovel...a habitable structure made from wood, cardboard, and lots of dry branches.” Here, the boundaries between prose and poetry, reality and myth—both already tenuous—begin to blur even further. A wolf spied waiting outside the couple’s cabin door might have been a wild boy captured by passing lumberjacks. A miscarriage witnessed by a village child might be the origin story of “two miniature creatures” used in a bawdy bordello show. The miniature creatures might, after all, be real. If haunting is a kind of repetition, the narrator and her translator begin their own ghost story, following in the footsteps of the couple before them, falling in love—if only briefly. This novel, in a translation by Levine and Kana, is taut, lyrical, and strange, and it fits right in with Dorothy, A Publishing Project’s commitment to work that challenges what genres and forms can do. Like the best speculative fiction, it follows the sinuous paths of its own logic but gives the reader plenty of room to play. Fans of fairy tales and detective stories, Kathryn Davis and Idra Novey, will all find something to love.

An eerie, slippery gem of a book.

Pub Date: Oct. 1, 2018

ISBN: 978-0-9973666-7-9

Page Count: 128

Publisher: Dorothy

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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