All the ingredients of a dark speculative tale imperfectly assembled.
A mercenary’s life is upended by the appearance of his (perhaps) daughter and a series of attendant problems.
The narrator of Chaon’s disappointing fourth novel is a 50-year-old fixer/courier hired to perform “petty acts of industrial espionage or [mess] with the results of a local school board election.” (The near-future U.S. is mostly offscreen, but pandemics, recessions, and blockades led by hair-trigger private militias are disruptive enough to necessitate such independent contractors.) Billy (one of his many aliases) is interrupted on the road by repeated calls from Cammie, a young woman claiming not only that she’s his daughter via a sperm donation made in his youth, but that he has many more offspring besides. Billy is troubled not just by the news, but by the breach of security that allowed Cammie to reach him, and plenty more paranoia ensues. Is Cammie an agent of somebody he’s fallen afoul of or a bot? Flashbacks to Billy’s past explain his various reasons for anxiety, from his mother on down, and Chaon gives his lead an appealingly noirish, skeptical voice. In his earlier fiction, Chaon demonstrated a talent for conjuring dark moods and characters with fractured families, so a dystopian tale that reshuffles traditional stories about midlife crises and long-lost children would seem a fine fit for him. But this novel never quite finds its footing, shifting from backstory to an increasingly convoluted assortment of cult types and mercenaries; it doesn’t help that the central relationship between Billy and Cammie is conducted via phone, which brings a chilly distance to the narrative. The technology Chaon imagines is diverting—large, menacing, farm-protecting robots, suspiciously adorable surveillance drones—but the most tender relationship is a B-plot involving Billy and his dog, whose travails are sometimes more interesting than the humans'.
All the ingredients of a dark speculative tale imperfectly assembled.Pub Date: May 24, 2022
ISBN: 978-1-250-17521-2
Page Count: 320
Publisher: Henry Holt
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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