An affecting and moving conversation starter on what it means to be an ally—and a friend.
On the first day of school, Mr. Gill’s students ask about the empty chair in his classroom.
In response, Mr. Gill, a white man, tells a story from his childhood in New York City. Mr. Gill (referred to here as Daniel) and his friend Archie, who is Black, are excited to attend their friend Steve’s birthday party. Dressed in suits and ties, they arrive at Steve’s fancy apartment building, ride the elevator up to the seventh floor, and ring the doorbell. Steve’s mother invites Daniel in but tells Archie that he must leave; there are no more chairs. When it becomes clear that Archie isn’t welcome because of his race, Daniel refuses to enter: “We’re going back to my house, where there are always enough chairs.” The chair in Mr. Gill’s classroom serves as a reminder that there’s room for everyone here. The author—who shares a name with the protagonist—based his tale on an event from his own childhood. Acknowledging that there are times when it isn’t safe for those from marginalized backgrounds to speak up, this potent story reminds those with privilege that they can—indeed, must—take a stand. For powerful discussions, pair this heartfelt friendship story with narratives of brave Black characters. Gal’s scribbly mixed-media illustrations are a visual feast, using richly saturated colors to emphasize emotion.
An affecting and moving conversation starter on what it means to be an ally—and a friend. (author’s note) (Picture book. 3-7)Pub Date: July 1, 2025
ISBN: 9780316552691
Page Count: 40
Publisher: Little, Brown
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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