A reassuring story of friendship in the face of change.
The art of Chinese paper cutting and the art of friendship come together in this heartfelt migration story.
Bundled up and brightly dressed, best friends Dandan and Yueyue gleefully stroll hand in hand through a snowy neighborhood in China. But joy soon turns to sorrow—Dandan learns that she and her family will soon be moving to America on the day of the Lunar New Year. The girls spend their remaining time together celebrating New Year’s Eve. They munch on dumplings, spend time with their families, and make bright red paper cuttings to serve as ornaments. With a tight hug and a stack of red paper as a parting gift, Yueyue urges Dandan to carry on their paper cutting tradition with a new friend in her new homeland. In America, Dandan feels lonely and friendless. Everything is different, she can’t speak English, and some of her new classmates laugh at her Chinese qipao dress. With a smile from a White, freckle-faced girl named Christina, though, her voice and a new friendship bloom. With so much to learn about her new home and her new friend, can Dandan keep old traditions—like paper cutting—alive? Liu’s descriptive text deftly captures the ups, downs, and in-betweens of a child’s experience moving to a new country. Scurfield’s digitally collaged pencil-and-ink illustrations are mostly bright and colorful, but a brief shift to monochrome underscores the strangeness of a new place and the anxiety of learning a new language. Repeated motifs underline the fact that regardless of geographical location, some things remain the same.
A reassuring story of friendship in the face of change. (author’s note, about the author, about paper cutting, how to make a snowflake instructions) (Picture book. 4-7)Pub Date: Dec. 14, 2021
ISBN: 978-1-250-77818-5
Page Count: 40
Publisher: Godwin Books
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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