A sage take on a low-budget classic.
An obsessed fan of a pioneering zombie film explores its creation, fan lore, and deeper meanings.
Kraus, author of this lively, conversational study of the 1968 horror classic Night of the Living Dead, has the proper bona fides for such a project: An accomplished horror and thriller author, he completed a couple of unfinished fiction projects by Dead director George A. Romero, including 2020’s The Living Dead. But perhaps more importantly, he’s a Dead superfan, estimating he’s seen the film 300 times. And as the book shows, he’s drawn plenty of insights from the film and its legacy. Walking through the movie minute by minute, he discusses the offbeat backgrounds of each actor (prospective female lead Betty Aberlin worked on Mr. Rogers’ Neighborhood); the clever efficiencies Romero used to deliver the film on a budget, particularly the public-domain sound effects; and the peculiarities of the script, which have plenty to say about racism, herd mentality, and sexism. Kraus, who seems to have experienced every film, comic, video game, and T-shirt relating to the film, can be obsessively detailed in his observations: What kind of radio is reporting that humans are being “partially devoured” by zombies? What’s that book on the farmhouse shelf? Still, his storytelling isn’t off-puttingly geeky or fixated on fans-only details. That’s partly because he’s so personable, weaving Dead details into his own history as a teenage filmmaker, writer, and horror fan. But mainly he’s persuasive about the idea that the film is not just a horror classic but a passkey through America’s darkest instincts, from the MLK assassination to the January 6, 2021, insurrection. (A digression on the troubling case of Kyle Rittenhouse is particularly inspired.) “The film is America,” he writes. “Can we even call what we are doing living? Or are we long dead and only going through the zombie motions?”
A sage take on a low-budget classic.Pub Date: March 10, 2026
ISBN: 9781640097155
Page Count: 320
Publisher: Counterpoint
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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