Entrancing and complex.
A grieving young boy goes on an impossible adventure and returns, healed.
Nayeri’s text is minimal, even cryptic: just about 50 words, spooled out over the page turns in brief, elliptical spurts—and then reversed, conveying an entirely different meaning. Little listeners are unlikely to notice the clever construction initially, so beguiled will they be by Rockefeller’s lush, jewel-toned images. They set the scene first in a cozy, medieval-esque cottage beset by grief: A weeping child huddles next to a sorrowful bearded adult; above them hangs a painting of the child as a happy toddler cuddled between the bearded adult, now smiling, and a beaming woman. All are tan-skinned. The text reads, “She was gone.” In extremis, the child flees to the forest and pulls a sword from the ground. From there the adventure emulates a video game’s many levels, including an encounter with fearsome spiders, an underground ride in a rickety cart, a plunge into a sea serpent’s lair, and more. At the end of his quest—the middle of the book—there’s an ethereal woman, an agonized question, and the sublimely reassuring answer. The boy’s journey home traverses the same territory, but with smiling confidence. The illustrations are so filled with detail that they demand repeat visits, which will prompt little ones and their grown-ups to explore both text and subtext further.
Entrancing and complex. (Picture book. 4-8)Pub Date: Oct. 8, 2024
ISBN: 9780063277168
Page Count: 40
Publisher: HarperAlley
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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